When I picked up my very first instrument it was not a bass, but a guitar. And the bottom four strings of that Sears and Roebuck model were the ones I was unknowingly focused on. I strummed the thick, low sounding strings of E, A, D, and G. Possibly my ear was already attuned to these frequencies from laying under my grandmother's console. Or was it because playing just those four strings was the quickest and simplest way for my teenage brain to make music with my friends? Whatever it was, I was converted to playing the bass in no time and that’s where I stayed (mostly).
I’ve played many basses during my career. I performed with a different bass on every tour over the 10 years I was with the Doobie Brothers. I changed my tone six times. When the mood struck I’d choose a different bass for a specific album or for a new band member. I think of all these basses flowing in and out of my hands, their slender necks held and fingers sliding across fretted rosewood. My custom leather guitar and nylon straps, adorned with cameos and pins, cradled my basses close to my body. Some basses I was able to master easily. Others I fell in love with and of course there were basses I was indifferent about. And maybe there were a few, well I didn’t know any better, and I no longer possess them. As a young musician flashed in the hot pan of rock and roll, I played with passion and grit. I was wildly dedicated to the bass, and I played as many as I could.
Click on “the four strings” below to learn more about the basses I played.
Basses of the Past
Teisco Bass
Fender Precision Bass
Gibson EB 3L
Rickenbacker Bass
The Alembic
Thunderbird Gibson
Fender Precision Bass - aka “Takin’ It To The Streets Bass”
Custom Jazz Bass from Guitar Works Santa Cruz
BC Rich Bass
Music Man Sabre
Phil Kubicki Factor Headless Bass
Last Minute “28” - Ken Lawrence Custom Bass
Paul Reed Smith 5 string
Paul Reed Smith Guitar
Basses I Built
Long after I left the Doobies, I decided to start building my own fretless basses. I was looking to have a bass (or several) that sounded like what I wanted instead of what somebody's factory wanted. Many factory made basses have a certain tone that I don't like. A lot of basses are now digital, but mine have all been analog. With digital basses you have to keep hunting through all these controls for the sound you want. All I do is play mine and it sounds exactly the way I want, that’s the beauty of analog!
I had done some work on my basses and I had some of them assembled by a guitar shop down in Los Gatos. I watched them enough to know that what they were doing was pretty easy and I thought, "I can do that!” I ordered the parts–body and neck–from Warmoth in Washington state. The pickups, bridge, and tuners are after-market parts. I do the soldering and wiring of the electronic parts myself. It takes a while to get it right, because I am looking for a specific sound. The first one I built took three weeks to get the sound right. Subsequent instruments got easier for me to get the sound I was going for. The sound of each bass is slightly different from the others–I can hear it, but others might not be able to. All my basses play nice because I have built them to my own specifications. What is most important is that the bass has to feel good in my hands and sound good!
The Wolf
Blondie
The Mermaid
Boss Tone Blackie
Peanut Butter and Chocolate
The Redneck
Tri-Tone One
Tri-Tone Two
Sklar

